Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri de toulouse-lautrec Justine Dieuhl oil painting


Justine Dieuhl
ca 1891 2' 5 1/4'' x 1' 10 3/4''(74 x 58 cm)
Painting ID::  11606 		Henri de toulouse-lautrec
Justine Dieuhl
ca 1891 2' 5 1/4'' x 1' 10 3/4''(74 x 58 cm)
   
   
     
Henri de toulouse-lautrec The Lady Clown Chau-U-Kao oil painting


The Lady Clown Chau-U-Kao
1895 2' 1 1/4'' x 1' 7 1/4''(64 x 49 cm)Bequest of Count Isaac de Camondo,1911
Painting ID::  11607 		Henri de toulouse-lautrec
The Lady Clown Chau-U-Kao
1895 2' 1 1/4'' x 1' 7 1/4''(64 x 49 cm)Bequest of Count Isaac de Camondo,1911
   
   
     
Henri de toulouse-lautrec The bed oil painting


The bed
1892 1' 9 1/4'' x 2' 3 3/4''(54 x 70.5 cm)Bequest of Antonin Personnaz,1937
Painting ID::  11608 		Henri de toulouse-lautrec
The bed
1892 1' 9 1/4'' x 2' 3 3/4''(54 x 70.5 cm)Bequest of Antonin Personnaz,1937
   
   
     
Henri de toulouse-lautrec Dancing at he Moulin Rouge oil painting


Dancing at he Moulin Rouge
1895 9' 9 1/4'' x 10' 4 1/2''(298 x 316 cm)
Painting ID::  11609 		Henri de toulouse-lautrec
Dancing at he Moulin Rouge
1895 9' 9 1/4'' x 10' 4 1/2''(298 x 316 cm)
   
   
     
Henri de toulouse-lautrec The Moorish Dance oil painting


The Moorish Dance
1895 9' 4 1/4'' x 10' 1''(285 x 307.5 cm)
Painting ID::  11610 		Henri de toulouse-lautrec
The Moorish Dance
1895 9' 4 1/4'' x 10' 1''(285 x 307.5 cm)
   
   
     
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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